Color

Five official brand roles — Pine, Gold, Iron, Ink, Paper — each expanded into a real tint/shade ladder so two adjacent sections in the same family still read as distinct rooms. Two hexes below are load-bearing anchors lifted verbatim from the client's own official art, not approximated: pine-900 is the Brand Guide's primary green; pine-700 is the brighter rule-line green already used in the logo file itself.

Pine — primary hue

Named for the pine trees in the shield and the piney woods setting itself. Anchored top (900, the Brand Guide shield fill) and mid-dark (700, the logo's own rule-line green) with real photography — pine-500 lands on the actual sage-forest green seen in the show's tree line.

Gold — accent hue, used sparingly

The official swatch (gold-600, #CA9A38) only hits 2.6:1 contrast on white — fine for icons, borders, and large decorative numerals, but it fails AA for body text and links. Gold-900 is the same hue, deepened until it clears AA at 10.3:1, so "gold" can appear as readable text without betraying the brand's actual color.

Iron — structural neutral (the horseshoe/gear metal)

A true, cool, zero-saturation grey, anchored on the Brand Guide's official #4D4D4D. Used for borders, muted captions, dividers, icon strokes — anywhere the logo's painted steel hardware is doing the talking.

Ink & Paper — two DIFFERENT neutrals, on purpose

Ink is the Brand Guide's near-black #1A1A1A — the wordmark color, used for headline and body text. Paper is a separate, warm neutral family pulled from the arena's khaki dirt and the weathered wood in the show barns — not the same axis as Iron. That's why paper and white can actually be told apart on screen: they aren't two points on one grey ramp, they're a warm hue at very high lightness versus true zero-saturation white.

The luminance-gap fix, with numbers

Measured in CIE L* (perceptual lightness — what the eye actually judges "gap" by, not raw sRGB percentage). The official off-white sitting next to pure white measures a gap that reads as sameness on screen. This system's paper-100 is tuned to a gap wide enough to actually see.

PairΔL* (CIE Lstar)Verdict
Official #F5F5F5 vs pure white #FFFFFF3.46Not a visible gap
paper-100 (#F4F1EC) vs white4.75Visible, deliberate gap
paper-200 (sunken) vs paper-1004.15Visible step
paper-300 (sand band) vs paper-2007.47Clearly a different room

Contrast reference (WCAG)

Applied — text on each surface

On White

Body text in Ink-900. A link in Gold-900 holds AA easily.

On Paper

Page background. Same text, same contrast math — paper is warmer, not weaker.

On Pine

Reversed text at 13.5:1. Gold-500 accent text at 7.1:1.

On Sand

The sand band, used sparingly — echoes arena dirt, never the default surface.